I work across drawing and printmaking, developing images that feel closer to memory than observation. Figures appear and dissolve, resisting fixed identity, as if held between presence and disappearance. Rather than describing what is visible, I am interested in the instability of perception — in the space where memory, emotion, and image intersect.

Within this terrain, the intimate and the collective do not stand apart but remain in tension. Through processes of repetition, erasure, and inscription, I explore a visual language that is both restrained and open, allowing each work to suggest more than it defines.